For a long time I had been neglecting the backgrounds in my paintings and drawings. Backgrounds take time, and quite often I hadn’t spent a thought on the environment in which I placed my creatures.
But it makes a difference, and now that I know it, I try to practise creating meaningful environments for my characters. This here was done with quite a number of these useful photoshop tools like the smudge tool, various brushes with varying settings of opacity. And I tried to stick to my layers…
I learnt a lot doing this, especially a lot about how not to work with layers. I got various layers set up, one for the eagle, one for the grass, one for the stones. But: instead of having only the eagle on one layer, and the background for it on another layer I added the background to the eagle on the same level, which makes it rather difficult to change the background.
And I made the mistake of not sticking to the layer when working on the eagle. Suddenly I found myself making changes to the beak working on the grass layer. Duh! Of course you can still get a result, but it took me far more time this way. But mistakes are there to be learnt from, aren’t they?
Of course I also had some positive moments. I learnt how to create your own brushes, how to use some other tools, and most important of all: I am deeply enjoying digitally painting!
Here I experimented with the clone stamp tool and the smudge tool. It took me some time to find out how to use these tools – and I am still learning! But it is definitely fun…
The most difficult part for me was to get the green right, to get it look “normal”. I have the same problems when painting with acrylics or even with my coloured pencils. I also find it difficult to paint a realistic sky and to have the blues of the sky and the water matched.
This is a contribution to the January Challenge “COLD” of the Digital Art forum at Wet Canvas. Actually it is the second version where I tried to add a bit more contrast to the snow by using shades of blue.
I was inspired by a photo given on the thread (trees covered with snow), but decided to reduce the number of trees to three, two having the same size and a smaller one. For me often trees have a kind of personality, and so I created a pair of dancing trees.
I don’t know whether I should be worried about the dark depths of my crazy mind from which that monster escaped. Originally the idea was to try out various shades of red and yellow, but step by step these shades merged into a fantasy creature. …
It took me quite some time to get to that state of the painting. The good – or bad – thing with digital painting is that you can work on it forever, and it is so difficult to declare it finished.