Archive | February 2011

Sea Shore II


Sea Shore II. Digital Painting by Ulla Hennig

As you can see I did a bit of work on the water and the sky. I am still not 100 percent pleased with it – the picture now looks a bit too dramatical for me, and the clouds on the sky could be less blurry. But it is only my second digital landscape, so I won’t be too strict with my inner digital painter…

If you want to compare it with the first version, here it is:

3 Things to keep in mind when you begin with Digital Painting

For some time now I have been painting digitally – with Photoshop and without a Graphic Tablet. I’ve got a notebook with a touchpad at home, and I first wanted to try out digital painting and see whether I would like it nor not, and then think about buying a graphic tablet. I hate buying things and then not using them.

So the first question is: Do I like to paint digitally? Yes, I do. However I’d liked to know certain things before I began to do so. It would have made things easier or less frustrating. But there’s no use crying over spilt milk. But maybe writing down my first experiences with digital painting may be helpful to other people.

  1. Digital paintings are in no way “easier” to create than traditional ones, and they cannot be done in a rush.
    Whenever I have a look at my first creations I hang my head and cry. Okay, I wanted to see whether and how certain things can be done the digital way, so I did things quickly. Fact is, it can’t be done this way. On DeviantART I often read that people are working on their digital art for hours and days.  I was used to be fast when sketching an animal or a building, even a person in a certain pose and tended to get impatient when I was not successful at digital painting in a short time. I had to learn patience. I haven’t worked for days up to now on one picture, but for hours, in order to find the right colour, or the right texture.
  2. Digital painting affords artistic as well as technical abilities. You’ve got to have more than just a basic knowledge of Photoshop. In the last months I learned a lot about layers, brushes, tools and such things, but it still happened to me that I was desperately trying to add a nice background to my dragon picture with the result that everytime I activated the background layer the whole image went grey, and I didn’t know the reason for it. It took me almost one hour till I noticed that I hadn’t cut out the dragon from its white background. After I did that the problem was solved. Duh!
    On the other hand one of the most important questions in Digital Painting as well as in traditional painting is “Where does the light come from?” Without that answer given you may know everything about how to shade in Photoshop with the various tools – your art work will look like c*.
  3. Digital painting is work, but it is also – and for a big extent at least for me – play. It means trying out things, asking myself “What happens if I change that colour to a darker shade of blue?” “What happens if I use a bigger brush when using the smudge tool?” “What happens if I draw things with the pen tool instead of the brush tool?” It means doing things my own way, even if this way is not the “proper one”. It is fun!

Sea Shore – Work in Progress 1

Sea shore  - Work in Progress

Sea shore - Work in Progress

Okay, I am adventurous again and dare to present a work in progress here. This is digital from the beginning – no pencil work here.

Of course there’s a lot of work still to be done – the water in front of the palisades, the water behind it and the sky. But I think this work in progress can give you an impression of how it will look like when it is finished (at least I hope so!)