Back to the good old colour chart

Colour chart with various green shades.
Some coloured pencil experts stress the importance of putting up colour charts. I must admit that I haven’t done many, but sometimes I do. Here is the one I did yesterday. I am working on a coloured pencil piece with a background in various shades of green. I have been using baby oil as a kind of solvent in my last paintings, and doing this I noticed that the colours get more vibrant this way and even change a bit.
Knowing this I wanted to test the effect in order to select the proper pencil. I used emerald green, juniper green and chromoxide green as the basic greens and added my other greens. I was surprised what a nice green I got using the emerald green and other greens – in the past I hadn’t used emerald green because of its unnatural look.
So now I now, and I am glad that this colour chart will help me doing the background.
Tree Wizard
This is the second coloured pencils drawing which is based on a digital painting. The first one, the eagle, you can see here.
I feel that I’ve discovered quite an interesting way to get ideas for a coloured pencil drawing – play around in Artrage, have the result printed out and then think about how to do a coloured pencil drawing based on that digital piece. “Based” does not mean copying it–when you compare the drawing with the digital painting here you’ll notice that there is quite a difference between the two images.
The other thing is that I used baby oil and markers as solvents on this piece. I used a warm grey #3 marker on the dark green background and I used baby oil for parts of the tree, parts of the water and for the green grass.
The Mysterious Merboy

The mysterious merboy. Digital painting done with Artrage. April 2013
I called this mysterious underwater being a “merboy” because it definitely is not a mermaid. It is however a mixture of something fishy with tentacles, and parts of a human body.
It was fun experimenting with all kinds of Artrage tools – the glitter and the sticker spray, the felt pen, the palette knife used for blending.
Horse on the paddock

Horse on the paddock. Digital Drawing April 2013
This is – so far – the last of my digital horse sketches. I learned quite a lot doing these sketches. I am a lot more familiar with the graphic tablet now. I got acquainted with the pencil tool in Artrage and its various settings. And of course I learned a lot about the anatomy of the horse (although I have to admit that there are loads more to learn) and I also learned to look very closely at my references.
And above all – it was fun!
Here you can find my other horse sketches:
Pansy

Pansy. Painted in #artrage with the felt pen tool. April 2013
I only recently discovered the felt pen tool in Artrage. This felt pen tool can be transformed into a copic marker by changing the settings in a certain way. I like the almost watercoloury look and the way the colours are blending.
I also rediscovered the site “colourlovers.com“. It is a place where you can set up color palettes. I set up a colour palette with violets and blues (five colours go into one palette), saved them on my computer and then imported the jpg into Artrage as a reference image. I could easily pick the colours using the palette.
Cat portrait

Quick cat portrait sketch, done with artrage.
After having done a few horse sketches in Artrage I wanted to focus on another animal – cats. I have lots of cat postcards from a postcard calender bought some years ago, so having references was no problem.
However one needs more than good references to produce a presentable sketch. Getting used to the stylus and the graphic tablet is one thing; getting the proportions right and the colour the other. It definitely needs a lot of eye-hand-coordination!
Cat cartoon

Cartoon cat
I sketched the cartoon cat with a ballpoint pen, scanned the drawing, imported it first into photoshop, then into Artrage, coloured it and then reimported it into photoshop to resize and crop it.




